Film as an act of Love
by Sukhdev Sandhu
Fifty years ago, François Truffaut’s Quatre cents coups
heralded a revolution in cinema. Sukhdev Sandhu salutes
a modern classic
NewStatesman 2 April 2009
April 15, 2009 -
Posted by
adferoafferro |
Antoine Doinel, Cahiers du cinéma, Truffaut, criticism, culture, film, film analysis, film directors, film editing, film narrative, film theory |
Alain Resnais, Antoine Doinel, auteur theory, À bout de souffle, Cahiers du cinéma, Cinémathèque Française, Claude Chabrol, David Lynch, Francis Ford Coppola, Francoise Truffaut, Germany Year Zero, Henri Langlois, Hiroshima, Jean-Luc Godard, Karel Reisz, Léaud, Le beau Serge, Les quatre cents coups, Lindsay Anderson, mon amour, René Clément, Roberto Rossellini, The Bicycle Thieves, Truffaut, Vittorio de Sica |
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