FILM DIRECTOR Tarkovsky’s polaroids

From Poemas del do wang

It is not widely known that Tarkovsky, whose films often seem to be composed as a montage of still photos, in a period effectively took photos with a Polaroid camera. These photos, taken at home and in Italy, in spite of all their technical imperfections bear witness to the same way of seeing and visual world as the great films.

Tarkovsky’s polaroid’s

FILM SOUND Sound in Tarkovski’s Stalker

This also came via  Catherine Grant’s FSFF :

The Edge of Perception: Sound in Tarkovski’s Stalker

by

Stefan Smith

The Soundtrack, volume 1, number 1, 2007

Andrei Tarkovsky on Stalker