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FILM E-BOOK The Altering Eye



The Altering Eye


by


Robert Philip Kolker


Preface to the Online Edition


The Altering Eye was published by Oxford University Press in 1983. The book spoke to a vital, worldwide movement in film, a movement full of energy and experimentation. Politically and formally adventurous, it claimed the world for cinema. The movement is over, but the films and their influence remain. The print run of The Altering Eye is over, but because there is now another movement full of energy and experimentation in the digital, online community, it will have a second run in electronic form.

The electronic edition maintains the original text with very, very few alterations. What is new, in addition to easy access, is a rich and changing panoply of visual elements: still and moving images that prove how appropriate the Web is for the serious work of film criticism. The electronic Altering Eye will now continue to be a fully present visual work in progress.

Robert Kolker
Jan, 2007



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January 20, 2012 Posted by | Classical American cinema, Eisenstein, European film, film [its techniques], German expressionist cinema, neo-realism | , , | Leave a comment

Glossary of film terms from filmsite.org




Film Term Glossary



March 20, 2011 Posted by | cinéma-vérité, cinematography, Classical American cinema, film analysis, film editing, film narrative, film narratology, film postproduction, film production, Film script/screenplay, film still, film techniques, film theory, film [its techniques] | Leave a comment

FILM ESSAY LONG TAKE Metaphysics of the “long take”: some post-Bazinian reflections by Mark Le Fanu



Metaphysics of the “long take”: some post-Bazinian reflections

by

Mark Le Fanu

(author of The Cinema of Andrei Tarkovski [1987]; Mizoguchi and Japan [2005])

in

P.O.V no. 4

March 12, 2010 Posted by | André Bazin, Bazin, Classical American cinema, Eisenstein, European art cinema, Greg Toland, Griffith, Italian Neo-Realism, montage, Murnau, Renoir, shot length, Stroheim, the long take, Welles, Wyler | , , , , , , , , , , , , , , , | Leave a comment