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FILM COURSE BFI PASOLINI The remains of the study day





Pier paolo Pasolini

Image from Brian Matthews’*Movie Ramble


Pasolini Study Day at the BFI.


The talks and discussions have been made available as free pdfs at iTunes, where the course is described as

Stimulating and engaging programme of talks, discussions and screenings (hosted in collaboration with the University of Sussex’s Centre for Visual Fields and School of English) exploring the work and thought of Pasolini, one of the greatest filmmakers of his generation and a fiercely original – and controversial – public figure. A prestigious line-up of speakers includes Adam Chodzko, Rosalind Galt, Robert Gordon, Matilde Nardelli, Geoffrey Nowell-Smith, Tony Rayns, John David Rhodes, Filippo Trentin and his favourite actor: Ninetto Davoli.



Singled this out from Catherine’s Film Studies for Free

She’s provides a mountain of a film resource, but I find a lot of the academic stuff largely incomprehensible and distracting from film itself. Love film? Watch films.



* Brian has done some posts on Pasoli’s he’s watched



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September 23, 2013 Posted by | BFI, film theory, Pasolini | | Leave a comment

FILM We’re all film-makers now (supposedly) ♦ Film policy review by department from Culture ♦



We’re all film-makers now – and the Smith review must recognise that



–Studying film is still often seen as lightweight. But in 2011 it’s arguably as important as literature and science


Don Boyd, Guardian, 25 September 2011

Quote 1:

The Department for Culture, Media and Sport has initiated a fresh review of film policy under the chairmanship of Chris Smith. The words “film” and “policy” have rarely been comfortable cultural bedfellows in Britain. Ever since the Cinematograph Films Act of 1927, successive governments have attempted to make laws that help the “film industry” thrive with a variety of measures, which have included establishing trade quotas to restrict US control of the entire production, distribution and exhibition process (a problem that has never been solved). Rarely have these policies considered the wider implications of what film represents. If this timely review is to be worth its salt it must recommend a radical and daring approach for government and the British Film Institute, which has inherited the recently disbanded UK Film Council’s mantle.



Quote 2:

But beyond all this, the BFI, Smith and the government have one vital responsibility. As well as continuing to encourage university-level film education, they must fund a comprehensive system to empower schools to teach film to children.




October 4, 2011 Posted by | BFI, Cinematograph Films Act [1927], film [its techniques], UK film policy | , , | Leave a comment