FILM More on decoupage
Translator’s note on découpage.
What is Cinema? by Andre Bazin. Translated by Timothy Barnard. Caboose 2009.
Mentioned in Girish in post, A Cinema Haunted by Writing, 3 may 2009, on cinema as writing.
August 31, 2009 Posted by adferoafferro | decoupage, film [its techniques] | decoupage | Leave a comment
-
Join 95 other subscribers
Blog Stats
- 323,050 hits
art
blog
blog - language
blog - Letters
blog - philosophy
blog - science
e-text
evolution
fascimile
film - digital cinematography
film - editing
film - sound
film -blog/journal/mag
- 600 Movie Blogs You Might Have Missed
- A World of Film
- Brandon's Movie Memory
- Cineaste
- Cinemasparagus
- CinePassion
- Cinephilia & Beyond
- Cranes are Flying
- Dialogic Cinephilia
- ferdy on film
- Film in Words
- Film Inquiry
- Film Studies for free
- Film-Philosophy
- Filmmaker Magazine
- Frames [Cinema Journal]
- girish
- ifp [Independent filmmaker project]
- Ingmar Bergman Foundation
- Jim Emerson's Scanners blog
- Konagal
- LoLa
- New Wave Film
- nofilmschool
- OMNITUDO Interventions in film & Philosophy
- Phipps Film
- Research into Film
- Reverse Shot
- screening Europe Blog
- Spectacular Attractions
- The case for Global Film
- The Film Doctor
- The Film Sufi
- The Retroset
- The Seventh Art
- They Shoot Pictures, Don't They?
- [in]transition
film blog - Godard
film blog - Kieslowski
Film online courses/wikis
film schools
film theorist
film [its techniques]
films online
George Orwell
history of ideas
lit
Music
Nabokov
narratology
Philosophy
photography
Poetry
Proust
Readability
reading and writing
screenplay
Screenplays & Scripts
screenwriting
scriptwriting
Visualisation
visuals
Wordpress
Top Posts
- FILM EDITING montage/découpage
- Little patch of yellow wall or a single asparagus? : Harold Pinter's The Proust Screenplay
- FILM BOOK Découpage by Timothy Barnard
- FILM SCRIPT The English Patient [1996] - Almásy's Bosphorus
- FILM Les Invisibles (2005)
- FILM E-BOOK How to Read a Film by James Monaco [in chapter sections]
- FILM DIRECTOR GODARD glasses, darky
- FILM SCREENPLAY Nabokov's Lolita script
- Doris' onions
- Concentrating on Kieslowski: A second viewing of Three Colours Blue
Meta
Categories
- 120 fps
- 1957
- 1968
- 24 fps
- 3-act structure
- 48 fps
- 60 fps
- A N Wilson
- Aaron Swartz
- Aaton 16mm camera
- Aaton 35-8
- Abbas kiarostami
- Abraham Lincoln
- Absolute Beginners [ 1986]
- Absurdism
- added value
- Adnan Oktar
- aesthetics and technology
- African childhoods
- Agnes Varda
- AI
- Aki Kaurismäki
- Alain Renais
- Alain Resnais
- Albert Camus
- Albert Kahn
- Alejandro González Iñárritu
- Alexander Astruc
- Alexandria
- Alexei Popogrebsky
- Alfred Hitchcock
- Alfred Yarbus
- Algeria
- Algerian War
- alter ego
- analogy
- André Bazin
- André Malraux
- Andre Tarkovsky
- Andrei Zvyagintsev
- Andrew Sarris
- Andrzej Wajda
- Andy Hamilton
- Anne V Coates
- Ansel Adams
- Anthony Burgess
- Anthony Minghella
- Anthony Perkins
- anti-evolutionism
- anti-science
- Antoine Doinel
- Antonioni
- Ara Guler
- argument by analogy
- art
- art-house
- Artifical Intelligence
- ascorbic acid
- aspect ratio
- Atom Egoyan
- auterism
- auteur theory
- auteurist
- autism
- autist savant
- autochrome
- À bout de souffle
- Baby Cow productions
- Bach cantatas
- Barthes
- Bazin
- Béla Balázs
- BBC drama
- BBC iPlayer
- Beethoven
- Being human
- Bela Tarr
- Belgian film
- Bergman
- Bernd and Hilla Becher
- Bertolucci
- Best film lists
- BFI
- Biology
- Blanchot
- blitosphere
- blog – Letters
- BLOG FILM Spectacular Attractions
- blog name change
- Blog templates
- blog website style/useabilty
- blogging
- blogosphere
- Blow Out
- Blow Up [1966]
- Bob Rafelson
- Bob Willoughby
- Book
- book to film
- books
- Borges
- Boris Khlebnikov
- Breathless
- Bresson
- Brightlights Film Journal
- Bronowski
- Buñuel
- Caboose
- Caché
- Cahiers du cinéma
- calcium ascorbate
- Camus
- Catherine Breillat
- Cavafy
- Césare Pavese
- celebrity
- celluloid
- Chabrol
- Charles Rosher
- Chaucer
- check text readability
- Chin Shengt'an
- Chinatown
- Chinese philosophy 17 Century
- Chou En-Lai
- Chris Marker
- Christian Metz
- Christopher Hampton
- Christopher Nolan
- cinéma-vérité
- Cinematograph Films Act [1927]
- cinematographer
- cinematography
- cinephile
- cinephilia
- Citizen Kane
- Classical American cinema
- Claude Lanzmann
- Cláudio Torres
- Cli-Fi
- codecs
- cognitive illusion
- cognitive science
- Coiln Macinnes
- colour
- Conrad
- consciousness studies
- constructive editing
- contes moreaux
- continuity editing
- Coppola
- criticism
- culture
- cutting on action
- Daniel Cohn-Bendit
- Darwin
- David (Chim) Seymour
- David Bordwell
- David Lean
- David Lynch
- David Seymour [Chim]
- de Beauvoir
- De Palma
- decoupage
- decoupage technique
- deep focus
- deep space
- Deleuze
- Dennis Potter
- depth-of-field
- Diane Setterfield
- digital cinematography
- digital exhibition
- digital photography
- digital technology
- digitisation
- direct cinema
- director of photography
- director's cut
- Do The Right Thing [1989]
- documentary
- dolly shot
- Don Spiegal
- Donal Foreman
- Donald Rumsfeld
- Donato Totaro
- Doris Lessing
- Douglas Hofstadter
- Douglas Trumball
- Dr Strangelove
- DSLR cinematography
- DSLR Digital Cinematography Guide
- Duchamp
- Durrell: Judith
- ecology
- ecphrasis
- Ed Wood [1995]
- editing
- education
- Eisenstein
- Electricity used by computers
- Emmanuel Bourdieu
- Enderby
- English language
- Enlightenment
- Enlightenment 2.0
- environment
- epistemology
- Eric Rohmer
- Eric Warren Singer
- Errol Morris
- Estonian films
- European art cinema
- European cinema
- European film
- Evan Puschak
- evolution
- evolutionary biology
- Existentialism
- F for fake
- Fabrice Aragno
- fake memoirs
- Fame
- Fernado Pessoa
- fiction
- fiction vs. non- fiction
- film
- film – digital cinematography
- Film – genius
- film adaptation
- film analog/digital
- film analysis
- Film and psychoanalysis
- Film and The Arts
- film aspect ratio
- film blog
- Film blog – The Film Sufi
- film directors
- film documentary
- film editing
- film editor
- film essay
- film list
- film music
- film narrative
- film narratology
- Film Noir
- Film on radio
- film openings
- Film photography
- film podcast
- film postproduction
- film production
- film reflexivity
- film reviewers
- Film script/screenplay
- film sex
- film short
- Film Socialisme
- film sound
- film still
- film stock
- film subtitles
- film technique
- film techniques
- film theory
- film theory/film criticism
- film trains
- film watching
- film within film
- film [its techniques]
- film-maker
- film-making
- films – eye tracking
- Films on photography
- films top 10
- First lines
- Five Easy Pieces [1970]
- flâneur
- FLN Riots Paris 1962
- Font size
- Forgetting
- Francesca Woodman
- Francis Ford Coppola
- Francois Brunet
- francois truffaut
- Fred Brakhage
- free cinema
- free will vs. determinism
- French cinema
- French films
- French literature
- Fritz Lang
- Frozen Sky 2011
- Gao Xingjian
- Gas plasma
- general
- George Melies
- George Orwell
- George Toles
- Gerda Taro
- German expressionist cinema
- german tv
- Gilbert Adair
- Gilles Pontecorvo
- Gillo Pontecorvo
- God
- Godard
- Godard/Truffaut
- Godard=Cinema=Godard
- Grandrieux
- Greg Toland
- Griffith
- Gunnar Fischer
- Guy Jenkin
- Haneke
- haptic
- Harun Farocki
- Hazlitt
- Henri Cartier-Bresson
- Henry Miller
- high-definition digital video
- Hitchcock
- Hollywood and Hitler
- homage
- HTML
- human nature
- hypertext
- Iain Sinclair
- Ich habe genung
- Ikuru
- Ilya Repin
- In the Crosswind [2014]
- In the Mood for Love [2000]
- Independent film
- Ingmar Bergman
- Ingmar Bergman
- Internet
- interrotron
- intertextuality
- introversion
- Ironic effects
- Irony
- Italian Neo-Realism
- J G Ballard
- J M W Turner
- J. Hoberman
- Jacques Deray
- Jacques Rivette
- Jacques Rozier
- James Monaco
- Jean Renoir
- Jean Rouch
- Jean-Claude Carrière
- Jean-Luc Godard
- Jean-Paul Sartre
- Jean-Pierre Beauviala
- Jill Godmillow
- Jim Emerson
- Jo Swerling
- John berger
- John Cheever
- John Fowles
- John Fowles
- Josef Koudelka
- Joseph Heller
- Julian Assage
- jump cut
- Kapò
- Karel Reisz
- Kathy Drayton
- Keats
- Ken Russell
- kerouc
- Kieslowski
- Kim Ki-young
- kogonada
- Korean film
- Krzysztof Kieślowski
- Kubrick
- Kubrick
- Kurosawa
- L'Aventura
- L'Avventura
- La Dolce Vita [1960]
- La Haine[1995]
- La Notte [1961]
- La Nuit Américaine
- La piscine [1969]
- Last Year in Marienbad
- Latin
- Laura Mulvey
- Lawrence Durrell
- Lawrence of Arabia
- L’avventura (1960)
- L’eclisse (1962)
- Le Mepris [1963]
- Lenin
- Leo Szilard
- Les Evenements
- Lin Yutang
- literary persona
- Literature
- long take
- Love
- Magnifico 70
- Magnum
- Man Booker prize
- Mann
- Mark Cousins
- Martin Arnold
- Martin Scorsese
- Martti Helde
- Master and Margarita
- Matthieu Kassovitz
- medicine
- Memory
- meta-film
- Metz
- Michael Haneke
- Michael Tolkien
- Michel Brault
- Michelangelo Antonioni
- Mike Leigh
- Mike Nichols
- Mikhael Bulgakov
- mind
- mise en scene
- Moleskine Modality
- montage
- Monty Python
- Monty Python and the Holy Grail [1975]
- Moral Tales
- movies
- Mr. Turner [2014]
- Mulholland Dr.
- Mulholland Drive
- multiple selves
- Murnau
- Music
- Nabokov
- Nagisa Oshima
- Naipaul
- narrative style
- narratology
- Navel-gazing
- neo-realism
- Network [1976]
- neurolaw
- neuroscience
- New Wave
- Nietzsche
- Noel Carroll
- non-fiction
- Nora Ephron
- nouvelle vague
- Novel
- Novelist
- Nuri Bilge Ceylan
- objective realism
- Oliver Refson
- online magazine
- Op-Ed
- Openings
- Orlando von Einsiedel
- Outnumbered
- Paluche camera
- pan and scan
- Pasolini
- Pasternak
- Patience (After Sebald)
- Paul Schrader
- perception
- Persona [1966]
- personality
- Peter Bowker
- Peter Geyer
- Philippe Grandrieux
- Philosophy
- photographer
- photographic analysis
- photographic typology
- photography
- photography and literature
- Piazzola
- pied nnoire
- Pierrot le Fou
- Pinter
- plagarism
- plan-of-action script
- Plasma Waste Disposal
- Poetry
- Polanski
- Polish Film School cinema
- pollution
- polygot
- post-New Wave
- post-production
- POV
- programme script
- Proust
- psychogeography
- psychology
- Pudovkin
- punctuation
- Ra’anan Alexandrowicz
- Raúl Ruiz
- Rancière
- Raoul Coutard
- readability
- Reader
- reading
- Rear Window [1954]
- Red Desert [1964]
- Red Dsert [1964]
- Red One
- referentiality
- reflexivity
- religion
- Renoir
- Ricciotto Canudo
- Richard Brody
- Richard Linklater
- Richard Michalak
- Richard Pare
- Richard Pevear
- Ridley Scott
- Rilke
- Robert Altman
- Robert Bresson
- Robert Capa
- Roger Ebert
- Roger Fenton
- Rohmer
- Roman Polanski
- Ronald Bergan
- Rubble-film
- Rudolph Arnheim
- Rumsfeld
- Russian film
- Russian Fim School
- Saint-Beauve
- Sally Wainwright
- Sartre
- Satantango
- science
- science denial
- screenplay
- screenwriting
- script
- script-writer
- Serge Daney
- Sergei Parajanov
- Shakespeare
- shot length
- Siegfried Kracauer
- Siegried Kracauer
- Skateistan
- Slavoj Žižek
- slow t.v.
- Sociology of religion
- sodium ascorbate
- Solzhynitsyn
- Spike Lee
- Spiral [t.v. drama]
- Sputnik
- Stalin
- Stanley Kubrick
- Stefan Zweig
- Steve Buscemi
- Stroheim
- subjective realism
- subtitles
- superimposition
- surveillance cinema
- Susan Sontag
- Suzanne Schiffman
- Sydney Lumet
- T.S. Elliot
- tableau shot
- Tableau vivant
- Tango
- Tarkovski
- Tarkovsky
- Technology
- Terentianus
- Texas
- The Alexandria Quartet
- The Conversation
- The Conversation [1974]
- The English Patient
- The fate of books
- The Grand Budapest Hotel
- The Great Beauty [2013]
- The Imitation Game [2014]
- The Imitation Game [2014]
- the long take
- The Story of Film: An Odyssey
- Thomas Mann
- Tijana Petrović
- Tim Burton
- Tim Smith
- title sequence
- Tobii eye-tracking technology
- Tolstoy
- topology
- translation
- Truffaut
- Turkey
- Turkish cinema
- TV drama
- typology
- UK film policy
- Ulrich Keller
- Uncle
- unit photography
- V S Naipaul
- video essay
- Vilgot Sjöman
- Virginia Woolf
- vitamin C
- vitamins
- Vittorio Storaro
- Vladimir Bortko
- W G Sebald
- W M Turner
- Walter Benjamin
- Wang Kar Wei
- War and Peace
- Web
- Welles
- Werner Herzog
- widescreen
- WikiLeaks
- Wim Wenders
- Wim Wenders
- World War I
- World Wide Web
- writers and works
- Writing
- Wyler
- Zizek
Archives
- November 2022
- October 2022
- September 2022
- March 2021
- August 2020
- June 2020
- September 2018
- July 2018
- June 2018
- March 2018
- February 2018
- November 2017
- October 2017
- September 2017
- July 2017
- March 2017
- February 2017
- December 2016
- November 2016
- October 2016
- September 2016
- August 2016
- July 2016
- June 2016
- May 2016
- April 2016
- March 2016
- January 2016
- December 2015
- October 2015
- September 2015
- August 2015
- July 2015
- May 2015
- April 2015
- March 2015
- February 2015
- January 2015
- December 2014
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- June 2014
- May 2014
- March 2014
- February 2014
- January 2014
- December 2013
- November 2013
- October 2013
- September 2013
- August 2013
- June 2013
- May 2013
- April 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- December 2010
- November 2010
- October 2010
- September 2010
- August 2010
- July 2010
- June 2010
- May 2010
- April 2010
- March 2010
- February 2010
- January 2010
- December 2009
- November 2009
- October 2009
- September 2009
- August 2009
- July 2009
- June 2009
- May 2009
- April 2009
- March 2009
- February 2009
- January 2009
- December 2008
- November 2008
- October 2008
- September 2008
- August 2008
- July 2008
- June 2008
- May 2008
- April 2008
- March 2008
- February 2008
- January 2008
- December 2007
- November 2007
- October 2007
cutting on the action 