SCREENPLAY: The Myth of the Three-Act Structure
graphic from: A History Of The Three-Act Structure
The Myth Of The Three-Act Structure
Bill Mesce, at ShoreScripts
Chatty. Lot’s of examples.
Well, you’ve done a course or two, got the books, …and you can find as many of these things as there are actual script, but here’s two
Save the Baby! On the Benefits of the Three-Act Screenplay Structure
A History of Three-Act Structure
September 2, 2017 Posted by adferoafferro | 3-act structure | 3-act structure, screenplay, scriptwriting | Leave a comment
-
Join 95 other subscribers
Blog Stats
- 322,707 hits
art
blog
blog - language
blog - Letters
blog - philosophy
blog - science
e-text
evolution
fascimile
film - digital cinematography
film - editing
film - sound
film -blog/journal/mag
- 600 Movie Blogs You Might Have Missed
- A World of Film
- Brandon's Movie Memory
- Cineaste
- Cinemasparagus
- CinePassion
- Cinephilia & Beyond
- Cranes are Flying
- Dialogic Cinephilia
- ferdy on film
- Film in Words
- Film Inquiry
- Film Studies for free
- Film-Philosophy
- Filmmaker Magazine
- Frames [Cinema Journal]
- girish
- ifp [Independent filmmaker project]
- Ingmar Bergman Foundation
- Jim Emerson's Scanners blog
- Konagal
- LoLa
- New Wave Film
- nofilmschool
- OMNITUDO Interventions in film & Philosophy
- Phipps Film
- Research into Film
- Reverse Shot
- screening Europe Blog
- Spectacular Attractions
- The case for Global Film
- The Film Doctor
- The Film Sufi
- The Retroset
- The Seventh Art
- They Shoot Pictures, Don't They?
- [in]transition
film blog - Godard
film blog - Kieslowski
Film online courses/wikis
film schools
film theorist
film [its techniques]
films online
George Orwell
history of ideas
lit
Music
Nabokov
narratology
Philosophy
photography
Poetry
Proust
Readability
reading and writing
screenplay
Screenplays & Scripts
screenwriting
scriptwriting
Visualisation
visuals
Wordpress
Top Posts
- FILM EDITING montage/découpage
- Béla Tarr's Long Takes (an education in film)
- FILM Wim Wenders Alice in the Cities [1974]
- FILM Reflections and mirrors in film
- FILM TECHNIQUE parametric narrative
- FILM CRITIC THEORIST André Bazin
- Concentrating on Kieslowski: A second viewing of Three Colours Blue
- FILM WEBSITE The Worldwide celluloid Massacre
- FILM BOOK Découpage by Timothy Barnard
- Film: A Case for Cognitivism by David Bordwell
Meta
Categories
- 120 fps
- 1957
- 1968
- 24 fps
- 3-act structure
- 48 fps
- 60 fps
- A N Wilson
- Aaron Swartz
- Aaton 16mm camera
- Aaton 35-8
- Abbas kiarostami
- Abraham Lincoln
- Absolute Beginners [ 1986]
- Absurdism
- added value
- Adnan Oktar
- aesthetics and technology
- African childhoods
- Agnes Varda
- AI
- Aki Kaurismäki
- Alain Renais
- Alain Resnais
- Albert Camus
- Albert Kahn
- Alejandro González Iñárritu
- Alexander Astruc
- Alexandria
- Alexei Popogrebsky
- Alfred Hitchcock
- Alfred Yarbus
- Algeria
- Algerian War
- alter ego
- analogy
- André Bazin
- André Malraux
- Andre Tarkovsky
- Andrei Zvyagintsev
- Andrew Sarris
- Andrzej Wajda
- Andy Hamilton
- Anne V Coates
- Ansel Adams
- Anthony Burgess
- Anthony Minghella
- Anthony Perkins
- anti-evolutionism
- anti-science
- Antoine Doinel
- Antonioni
- Ara Guler
- argument by analogy
- art
- art-house
- Artifical Intelligence
- ascorbic acid
- aspect ratio
- Atom Egoyan
- auterism
- auteur theory
- auteurist
- autism
- autist savant
- autochrome
- À bout de souffle
- Baby Cow productions
- Bach cantatas
- Barthes
- Bazin
- Béla Balázs
- BBC drama
- BBC iPlayer
- Beethoven
- Being human
- Bela Tarr
- Belgian film
- Bergman
- Bernd and Hilla Becher
- Bertolucci
- Best film lists
- BFI
- Biology
- Blanchot
- blitosphere
- blog – Letters
- BLOG FILM Spectacular Attractions
- blog name change
- Blog templates
- blog website style/useabilty
- blogging
- blogosphere
- Blow Out
- Blow Up [1966]
- Bob Rafelson
- Bob Willoughby
- Book
- book to film
- books
- Borges
- Boris Khlebnikov
- Breathless
- Bresson
- Brightlights Film Journal
- Bronowski
- Buñuel
- Caboose
- Caché
- Cahiers du cinéma
- calcium ascorbate
- Camus
- Catherine Breillat
- Cavafy
- Césare Pavese
- celebrity
- celluloid
- Chabrol
- Charles Rosher
- Chaucer
- check text readability
- Chin Shengt'an
- Chinatown
- Chinese philosophy 17 Century
- Chou En-Lai
- Chris Marker
- Christian Metz
- Christopher Hampton
- Christopher Nolan
- cinéma-vérité
- Cinematograph Films Act [1927]
- cinematographer
- cinematography
- cinephile
- cinephilia
- Citizen Kane
- Classical American cinema
- Claude Lanzmann
- Cláudio Torres
- Cli-Fi
- codecs
- cognitive illusion
- cognitive science
- Coiln Macinnes
- colour
- Conrad
- consciousness studies
- constructive editing
- contes moreaux
- continuity editing
- Coppola
- criticism
- culture
- cutting on action
- Daniel Cohn-Bendit
- Darwin
- David (Chim) Seymour
- David Bordwell
- David Lean
- David Lynch
- David Seymour [Chim]
- de Beauvoir
- De Palma
- decoupage
- decoupage technique
- deep focus
- deep space
- Deleuze
- Dennis Potter
- depth-of-field
- Diane Setterfield
- digital cinematography
- digital exhibition
- digital photography
- digital technology
- digitisation
- direct cinema
- director of photography
- director's cut
- Do The Right Thing [1989]
- documentary
- dolly shot
- Don Spiegal
- Donal Foreman
- Donald Rumsfeld
- Donato Totaro
- Doris Lessing
- Douglas Hofstadter
- Douglas Trumball
- Dr Strangelove
- DSLR cinematography
- DSLR Digital Cinematography Guide
- Duchamp
- Durrell: Judith
- ecology
- ecphrasis
- Ed Wood [1995]
- editing
- education
- Eisenstein
- Electricity used by computers
- Emmanuel Bourdieu
- Enderby
- English language
- Enlightenment
- Enlightenment 2.0
- environment
- epistemology
- Eric Rohmer
- Eric Warren Singer
- Errol Morris
- Estonian films
- European art cinema
- European cinema
- European film
- Evan Puschak
- evolution
- evolutionary biology
- Existentialism
- F for fake
- Fabrice Aragno
- fake memoirs
- Fame
- Fernado Pessoa
- fiction
- fiction vs. non- fiction
- film
- film – digital cinematography
- Film – genius
- film adaptation
- film analog/digital
- film analysis
- Film and psychoanalysis
- Film and The Arts
- film aspect ratio
- film blog
- Film blog – The Film Sufi
- film directors
- film documentary
- film editing
- film editor
- film essay
- film list
- film music
- film narrative
- film narratology
- Film Noir
- Film on radio
- film openings
- Film photography
- film podcast
- film postproduction
- film production
- film reflexivity
- film reviewers
- Film script/screenplay
- film sex
- film short
- Film Socialisme
- film sound
- film still
- film stock
- film subtitles
- film technique
- film techniques
- film theory
- film theory/film criticism
- film trains
- film watching
- film within film
- film [its techniques]
- film-maker
- film-making
- films – eye tracking
- Films on photography
- films top 10
- First lines
- Five Easy Pieces [1970]
- flâneur
- FLN Riots Paris 1962
- Font size
- Forgetting
- Francesca Woodman
- Francis Ford Coppola
- Francois Brunet
- francois truffaut
- Fred Brakhage
- free cinema
- free will vs. determinism
- French cinema
- French films
- French literature
- Fritz Lang
- Frozen Sky 2011
- Gao Xingjian
- Gas plasma
- general
- George Melies
- George Orwell
- George Toles
- Gerda Taro
- German expressionist cinema
- german tv
- Gilbert Adair
- Gilles Pontecorvo
- Gillo Pontecorvo
- God
- Godard
- Godard/Truffaut
- Godard=Cinema=Godard
- Grandrieux
- Greg Toland
- Griffith
- Gunnar Fischer
- Guy Jenkin
- Haneke
- haptic
- Harun Farocki
- Hazlitt
- Henri Cartier-Bresson
- Henry Miller
- high-definition digital video
- Hitchcock
- Hollywood and Hitler
- homage
- HTML
- human nature
- hypertext
- Iain Sinclair
- Ich habe genung
- Ikuru
- Ilya Repin
- In the Crosswind [2014]
- In the Mood for Love [2000]
- Independent film
- Ingmar Bergman
- Ingmar Bergman
- Internet
- interrotron
- intertextuality
- introversion
- Ironic effects
- Irony
- Italian Neo-Realism
- J G Ballard
- J M W Turner
- J. Hoberman
- Jacques Deray
- Jacques Rivette
- Jacques Rozier
- James Monaco
- Jean Renoir
- Jean Rouch
- Jean-Claude Carrière
- Jean-Luc Godard
- Jean-Paul Sartre
- Jean-Pierre Beauviala
- Jill Godmillow
- Jim Emerson
- Jo Swerling
- John berger
- John Cheever
- John Fowles
- John Fowles
- Josef Koudelka
- Joseph Heller
- Julian Assage
- jump cut
- Kapò
- Karel Reisz
- Kathy Drayton
- Keats
- Ken Russell
- kerouc
- Kieslowski
- Kim Ki-young
- kogonada
- Korean film
- Krzysztof Kieślowski
- Kubrick
- Kubrick
- Kurosawa
- L'Aventura
- L'Avventura
- La Dolce Vita [1960]
- La Haine[1995]
- La Notte [1961]
- La Nuit Américaine
- La piscine [1969]
- Last Year in Marienbad
- Latin
- Laura Mulvey
- Lawrence Durrell
- Lawrence of Arabia
- L’avventura (1960)
- L’eclisse (1962)
- Le Mepris [1963]
- Lenin
- Leo Szilard
- Les Evenements
- Lin Yutang
- literary persona
- Literature
- long take
- Love
- Magnifico 70
- Magnum
- Man Booker prize
- Mann
- Mark Cousins
- Martin Arnold
- Martin Scorsese
- Martti Helde
- Master and Margarita
- Matthieu Kassovitz
- medicine
- Memory
- meta-film
- Metz
- Michael Haneke
- Michael Tolkien
- Michel Brault
- Michelangelo Antonioni
- Mike Leigh
- Mike Nichols
- Mikhael Bulgakov
- mind
- mise en scene
- Moleskine Modality
- montage
- Monty Python
- Monty Python and the Holy Grail [1975]
- Moral Tales
- movies
- Mr. Turner [2014]
- Mulholland Dr.
- Mulholland Drive
- multiple selves
- Murnau
- Music
- Nabokov
- Nagisa Oshima
- Naipaul
- narrative style
- narratology
- Navel-gazing
- neo-realism
- Network [1976]
- neurolaw
- neuroscience
- New Wave
- Nietzsche
- Noel Carroll
- non-fiction
- Nora Ephron
- nouvelle vague
- Novel
- Novelist
- Nuri Bilge Ceylan
- objective realism
- Oliver Refson
- online magazine
- Op-Ed
- Openings
- Orlando von Einsiedel
- Outnumbered
- Paluche camera
- pan and scan
- Pasolini
- Pasternak
- Patience (After Sebald)
- Paul Schrader
- perception
- Persona [1966]
- personality
- Peter Bowker
- Peter Geyer
- Philippe Grandrieux
- Philosophy
- photographer
- photographic analysis
- photographic typology
- photography
- photography and literature
- Piazzola
- pied nnoire
- Pierrot le Fou
- Pinter
- plagarism
- plan-of-action script
- Plasma Waste Disposal
- Poetry
- Polanski
- Polish Film School cinema
- pollution
- polygot
- post-New Wave
- post-production
- POV
- programme script
- Proust
- psychogeography
- psychology
- Pudovkin
- punctuation
- Ra’anan Alexandrowicz
- Raúl Ruiz
- Rancière
- Raoul Coutard
- readability
- Reader
- reading
- Rear Window [1954]
- Red Desert [1964]
- Red Dsert [1964]
- Red One
- referentiality
- reflexivity
- religion
- Renoir
- Ricciotto Canudo
- Richard Brody
- Richard Linklater
- Richard Michalak
- Richard Pare
- Richard Pevear
- Ridley Scott
- Rilke
- Robert Altman
- Robert Bresson
- Robert Capa
- Roger Ebert
- Roger Fenton
- Rohmer
- Roman Polanski
- Ronald Bergan
- Rubble-film
- Rudolph Arnheim
- Rumsfeld
- Russian film
- Russian Fim School
- Saint-Beauve
- Sally Wainwright
- Sartre
- Satantango
- science
- science denial
- screenplay
- screenwriting
- script
- script-writer
- Serge Daney
- Sergei Parajanov
- Shakespeare
- shot length
- Siegfried Kracauer
- Siegried Kracauer
- Skateistan
- Slavoj Žižek
- slow t.v.
- Sociology of religion
- sodium ascorbate
- Solzhynitsyn
- Spike Lee
- Spiral [t.v. drama]
- Sputnik
- Stalin
- Stanley Kubrick
- Stefan Zweig
- Steve Buscemi
- Stroheim
- subjective realism
- subtitles
- superimposition
- surveillance cinema
- Susan Sontag
- Suzanne Schiffman
- Sydney Lumet
- T.S. Elliot
- tableau shot
- Tableau vivant
- Tango
- Tarkovski
- Tarkovsky
- Technology
- Terentianus
- Texas
- The Alexandria Quartet
- The Conversation
- The Conversation [1974]
- The English Patient
- The fate of books
- The Grand Budapest Hotel
- The Great Beauty [2013]
- The Imitation Game [2014]
- The Imitation Game [2014]
- the long take
- The Story of Film: An Odyssey
- Thomas Mann
- Tijana Petrović
- Tim Burton
- Tim Smith
- title sequence
- Tobii eye-tracking technology
- Tolstoy
- topology
- translation
- Truffaut
- Turkey
- Turkish cinema
- TV drama
- typology
- UK film policy
- Ulrich Keller
- Uncle
- unit photography
- V S Naipaul
- video essay
- Vilgot Sjöman
- Virginia Woolf
- vitamin C
- vitamins
- Vittorio Storaro
- Vladimir Bortko
- W G Sebald
- W M Turner
- Walter Benjamin
- Wang Kar Wei
- War and Peace
- Web
- Welles
- Werner Herzog
- widescreen
- WikiLeaks
- Wim Wenders
- Wim Wenders
- World War I
- World Wide Web
- writers and works
- Writing
- Wyler
- Zizek
Archives
- November 2022
- October 2022
- September 2022
- March 2021
- August 2020
- June 2020
- September 2018
- July 2018
- June 2018
- March 2018
- February 2018
- November 2017
- October 2017
- September 2017
- July 2017
- March 2017
- February 2017
- December 2016
- November 2016
- October 2016
- September 2016
- August 2016
- July 2016
- June 2016
- May 2016
- April 2016
- March 2016
- January 2016
- December 2015
- October 2015
- September 2015
- August 2015
- July 2015
- May 2015
- April 2015
- March 2015
- February 2015
- January 2015
- December 2014
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- June 2014
- May 2014
- March 2014
- February 2014
- January 2014
- December 2013
- November 2013
- October 2013
- September 2013
- August 2013
- June 2013
- May 2013
- April 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- December 2010
- November 2010
- October 2010
- September 2010
- August 2010
- July 2010
- June 2010
- May 2010
- April 2010
- March 2010
- February 2010
- January 2010
- December 2009
- November 2009
- October 2009
- September 2009
- August 2009
- July 2009
- June 2009
- May 2009
- April 2009
- March 2009
- February 2009
- January 2009
- December 2008
- November 2008
- October 2008
- September 2008
- August 2008
- July 2008
- June 2008
- May 2008
- April 2008
- March 2008
- February 2008
- January 2008
- December 2007
- November 2007
- October 2007
cutting on the action 
You must be logged in to post a comment.