cutting on the action

photography and film – facts, ideas, values

FILM BOOK Godard – Introduction to a True History of Cinema and Television



BOOK COVER PUBLISHER CABOOSE caboose_History_of_Cinema

Images are freedom and words are prison.

–Jean-Luc Godard



Introduction to a True History of Cinema and Television

Godard’s lectures and discussions in Montreal in 1978—a series of fourteen meetings that pave the way for the eight chapters of his Histoire(s) du cinema (1988–1998). Translated by Timothy Barnard. Caboose.


COTA has 2 posts on Histoire[s]

FILM VIDEO Jean-Luc Godard’s Histoire(s) du Cinéma {2010}

FILM Godard Histoire(s) du cinéma {2009}

both mention

La « partition » des Histoire(s) du cinéma de Jean-Luc Godard created by Celine Scemama.

In the first sample page 1 of the partition makes it immediately obvious what the partition is, and how useful it can be as a follow-up on a viewing [or two] of Histoire[s]. It’s in French, but if you’ve had to watch Histoire[s] only partially understanding the French, this is blessed relief.


Celine Scemama has since written:

Histoire(s) du cinéma de Jean-Luc Godard: La force faible d’un art
By Céline Scemama-Heard [2006]

Musique, photographie, peinture, gravure, sculpture, littérature, archives, philosophie, poésie, discours, histoire et …cinéma. Godard a mis un s à ses Histoire(s) du cinéma. L’oeuvre de Godard impose une contemplation paradoxalement violente parce que l’écran des Histoire(s) est à l’image des plis du temps où sont retenus toutes les souffrances et tout ce qui est inachevé. Le montage permet des substitutions, des surimpressions et des rapprochements qui font du cinéma une grande puissance historique




May 18, 2014 Posted by | Caboose, Celine Scemama | , , , | Leave a comment

FILM BOOK Découpage by Timothy Barnard





GRAPHIC Decoupage 2 [hand-drawn]
{1}


Découpage


By Timothy Barnard (Out in Autumn 2014, Caboose)


The first 36 pages are available in scribd


Catherine Grant in Film Studies For Free has also showcased the book:


On Cinematic Découpage


– including a set of associated source materials and a video seminar at Sussex U:


REFRAME Seminar: “DÉCOUPAGE and Otto Preminger’s CARMEN JONES” by Christian Keathley




45 mins. Better things to do with your film time? Confused? Quick answer? Why not look at diagrams of découpage [not the cutting up bits of paper and material ones..] in Google Image.

I’ve written several posts on découpage, quoting some books and papers on the bare essentials. Christian mentions long footnotes on découpage. When I looked it up this seemed to be the only place where it was explained, set against the other techniques – synopsis, traitement, continuité dialoguée, and then finally découpage techniqué.


When I eventually bought Colin Crisp’s Classic French Cinema 1930-1960, things got a lot clearer. From the first 36 page freebee pre-publication taster of Timothy Barnard’s Découpage, seems like it might be the one to get to put this baby to bed. Well, at least for a while.

Until the next Découpage post. A bientot.



May 3, 2014 Posted by | decoupage | , , , , | Leave a comment