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FILM THEORY Michael Haneke’s cinema: the ethic of the image by Catherine Wheatley



Michael Haneke’s cinema: the ethic of the image
By Catherine Wheatley

This GoogleBook has available almost the whole of the chapter on Caché (Chapter 5: Shame and Guilt – Caché, and the whole of the 12 page introduction.

Michael Haneke’s Cinema: The Ethic of the Image by Catherine Wheatley

by Yun-hua Chen

explains what the book is about:

* It proposes an ethical theory of spectatorship

* Wheatley, in her examination of Haneke’s authorial persona, poses the rarely reflected-upon question of the origin, function and particularity of unpleasure in Haneke’s films.

An unpleasure profound enough, perhaps, to make one decide not to watch certain of his films.  I’ve seen Caché, Code Unknown and The Piano Teacher,  in that order, and don’t think I’m going to watch Funny Games or  Benny’s Video. My final Hanke might be The White Ribbon.

The book cover :

Existing critical traditions fail to fully account for the impact of Austrian director Michael Hanke’s films, situated as they are between intellectual projects and popular entertainments. In this first English-language introduction to, and critical analysis of his work, each of Haneke’s eight feature films are considered in detail. Particular attention is given to what the author terms Michael Haneke’s ‘ethical cinema’ and the unique impact opf these films upon their audiences.

Drawing on the moral philosophy of Immanuel Kant and Stanley Cavell, Catherine Wheatley introduces a  new way of marrying film and moral philosophy, which explicity examines the ethics of the film viewing experience. Haneke’s films offer the viewer great freedom whilst simultaneously imposing a considerable burden of responsibility. How Haneke achieves this break with more conventional spectatorship models, and what its far-reaching implications are for film theory in general, constitute the priciple subject of this book.


May 16, 2010 Posted by | film theory, film [its techniques], Haneke | , , , , , , , | 1 Comment

FILM – The White Ribbon – Michael Haneke





From Festival de Cannes website, a beautifuly designed 29-page black and white .pdf promo for The White Ribbon, posted here mostly for the set of 30 stills.


Unexpected tenderness [Catherine Wheatley – BFI]

November 30, 2009 Posted by | film [its techniques], Michael Haneke | , | Leave a comment