cutting on the action

photography and film – facts, ideas, values

Film: Paul Schrader on Robert Bresson (two part Youtube)




Paul Schrader ( famous scriptwriter of Scorsese’s Taxi Driver) sheds light on Bresson in a two part Youtube.

I learnt about Bresson a few years ago and bought the DVD of Au Hasard Balthazar as a start.   It is possible to hate a film’s style but understand what the creator was getting at and so really not quite hate it just be annoyed by some of the ways it was made.  A very common reaction amongst viewers is to to say the donkey was the star: it was, without a doubt.

Schrader going through Bresson’s Pickpocket was a highly instructive.  I made myself watch  Balthazar again, overcoming the feeling that I could not bear to watch the suffering one more time.  The stylised wooden acting still jars. But this time I thought of masks in a Greek play. But it doesn’t work for me as I would like it to. One can get the point of a film while not enjoying the experience of it.

There is a lot of meat in the interviews: at one point Schrader says Bresson’s is saying with Pickpocket (and presumably the rest): “I am going to recede from you ever so slowly till you start coming towards me.” Schrader later goes on to discuss  his view that film is not a spiritual medium.

A second film post will tackling the cinematographic long take after an experience with some Yuutubes of samples of the Hungarian director Bela Tarr.



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August 15, 2008 - Posted by | film [its techniques], Robert Bresson | , , ,

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